This is my first attempt at a cover... No video because I don't have a way of recording myself as of now. Maybe later sometime... Who knows? There are some mistakes in here, but I hope you don't mind too much. And synching was a bitch. xD Anyway, enjoy!
Cabine HDS Cabines, modèle F. Essai violon, portes ouvertes, une porte fermée et deux portes fermées. Idéal en appartement, permet de travailler la musique sans déranger ou être dérangé. Pour tout instrument: violon, violoncelle, guitare, piano, saxophones, clarinettes, trompette, trombone, percussions.... Plus d'informations sur: www.hdscabines.com
Today I began to play this song, after I had heard it for about two weeks. After scarse four hours of uninterrupt playing... that´s the result... There are some problems with the intonation and sometimes I did some mistakes. Maybe I will do a better version soon. I played it by ear, so unfortunately I have no music sheet. Some parts of my cover were a bit experimental :) The original song is here: www.youtube.com Author: Martino Ugolini Website: www.staubfinger.altervista.org
Bruce Murray (piano), Norbert Lewandowski (cello), and Elina Lev (violin) perform Clara Schumann's Piano Trio in G Minor, Andante at the February 5, 2012 Charlotte Chamber Music Living Room Concert (Brahms in Love).
Composition for violin and piano composed for Nena Swan by Robert Vinson. This is sampled reference recordings. Anyone interested in performing this or any other of my compositions may contact me at robertvinsonmusic@gmail.com
Monica Germino talks about Louis Andriessen's La Girò (2011), for violin & ensemble. Andriessen wrote La Girò for a violinist who also sings and speaks. The voice is meant to be untrained and casual in style. This trailer is an initiative of the Asko|Schönberg ensemble; produced by MvdVMedia. Partially subtitled (Dutch to English). Andriessen: "In La Girò I am musing about a composer I admire a lot: maestro Antonio Vivaldi. The title refers to Anna Girò, Vivaldi's favourite singer. The piece would not have become the 'performance' it is without its dedicatee, the violinist Monica Germino. The soloist (La Girò, perhaps?) does not only play the violin. She also sings an Italian song, whispers and talks, tells stories and dreams. The ensemble consists of a small chamber orchestra, with an added piano, harp, cimbalom and some percussion. The piece has four parts: the first three form a kind of concertino while the actual musical drama takes place in the fourth, slow part."
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Monica Germino talks about Louis Andriessen's La Girò (2011), for violin & ensemble. Andriessen wrote La Girò for a violinist who also sings and speaks. The voice is meant to be untrained and casual in style. This trailer is an initiative of the Asko|Schönberg ensemble; produced by MvdVMedia. Partially subtitled (Dutch to English). Andriessen: "In La Girò I am musing about a composer I admire a lot: maestro Antonio Vivaldi. The title refers to Anna Girò, Vivaldi's favourite singer. The piece would not have become the 'performance' it is without its dedicatee, the violinist Monica Germino. The soloist (La Girò, perhaps?) does not only play the violin. She also sings an Italian song, whispers and talks, tells stories and dreams. The ensemble consists of a small chamber orchestra, with an added piano, harp, cimbalom and some percussion. The piece has four parts: the first three form a kind of concertino while the actual musical drama takes place in the fourth, slow part."
Niccolò PAGANINI: Variations on "God Save The King" Op.9, MS.56 (1829) 0:10 / Tema: Andante sostenuto - Variazioni (0:51 Var.I - 1:34 Var.II - 2:16 Var.III - 3:00 Var.IV) 3:51 applause Ruggiero RICCI, violin (Live rec: April 24, 1978 - St.Lawrence Center, Toronto, Canada / (p) 1990 One-Eleven URS-90033) ______________________________________________________________ full concert: www.youtube.com ______________________________________________________________ (c)COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Niccolò PAGANINI: Sonata for solo violin, in C major MS.6 "Duo merveille" (1805-08) 0:10 / Adagio - 1:15 / Allegro molto 2:05 applause Ruggiero RICCI, violin (Live rec: April 24, 1978 - St.Lawrence Center, Toronto, Canada / (p) 1990 One-Eleven URS-90033) ______________________________________________________________ full concert: www.youtube.com ______________________________________________________________ (c)COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Eugène YSAŸE: Sonata for solo violin No.3, in D minor Op.27/3 "Ballade" to George Enescu (1923) 0:10 / Ballades; Lento molto sostenuto - 1:32 / Allegro in tempo giusto e con bravura 5:01 applause Ruggiero RICCI, violin (Live rec: April 24, 1978 - St.Lawrence Center, Toronto, Canada / (p) 1990 One-Eleven URS-90033) ______________________________________________________________ full concert: www.youtube.com ______________________________________________________________ (c)COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Música para bodas en Aragon, La Rioja, Navarra. Grupo ARYADA. Zaragoza. www.aryada.es tel: 679 934 590. Conciertos publicos; Ceremonias de Bodas, Todos tipos de eventos. Clases particulares de violin, piano y voz.
Paul HINDEMITH: Violin Sonata, Op.31 No.2 "Es ist so schönes Wetter draussen" (1924) -complete- 0:10 / I. Leichte bewegte Viertel [1'45''] 1:55 / II. Ruhig bewegte Achtel [2'13''] 4:11 / III. Gemächliche Viertel [1'08''] 5:19 / IV. Fünf Variationen über das Lied "Komm, lieber Mai" von Mozart (Leicht bewegt) [3'36''] 8:46 applause Ruggiero RICCI, violin (Live rec: April 24, 1978 - St.Lawrence Center, Toronto, Canada / (p) 1990 One-Eleven URS-90033) ______________________________________________________________ full concert: www.youtube.com ______________________________________________________________ (c)COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Saitensack is the evolving new ways to play the violin or viola. Is it music? The instruments are neither modified nor amplified. Essel develops an imagination that playing the violin means: the violin plays. Consequently the violin is played in a way that the violin plays. Strings are not pressed by fingers but rather damped. Only by bowing the strings are excited to complex free vibrations, not flageoles. Sounds come up from the violin itself with associations to illion pipes with cracking and breaking like yodel. The emergence of the sond is only influenced by the energy of the bowing but happens unpredictably. Saitensack is kind of a dynamic state oscillating around the border between noise and tone, from very quiet to very loud. The origin of tones out of the noise is the focus investigating in the very begin of tones. Saitensack in a way zooms into the very character of string instruments.
